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Quiz 23

Navigation   » List of Schools  »  Glendale Community College  »  Music  »  Music 120 – Music Appreciation  »  Fall 2019  »  Quiz 23

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Below are the questions for the exam with the choices of answers:

Question #1
Which describes the performing forces of a cantata?
A  soloists, chorus and orchestra
B  a cappella chorus
C  string orchestra with continuo
D  two double choirs and orchestra
Question #2
Which describes the chorale melody as it is heard in the fourth movement of Bach’s cantata Wachet Auf?
A  The tenors sing the chorale melody in unison.
B  The melody is heard in the strings.
C  The chorale melody is not heard in the fourth movement.
D  The melody is heard only in the basso continuo in this movement.
Question #3
How many movements are there in J. S. Bach’s Cantata No. 140 Wachet auf?
A  three
B  five
C  seven
D  two
Question #4
The libretto of Bach’s cantata Wachet auf
A  is the parable of the Wise and Foolish Virgins.
B  urges Lutherans to prepare themselves spiritually for the second coming of Christ.
C  is based on a biblical text.
D  All possible answers.
Question #5
The fourth movement of Bach’s Cantata No. 140 features the tenor section singing in unison.
A  FALSE
B  TRUE
Question #6
The first movement of Bach’s Cantata No. 140 is a(n)
A  recitative.
B  aria.
C  unison chorale.
D  chorale fantasia.
Question #7
The energetic instrumental idea that recurs several times between the vocal statements in the first movement of J. S. Bach’s Cantata No. 140 is a
A  ritornello.
B  ground bass.
C  recitative.
D  figured bass.
Question #8
The Lutheran chorale Wachet auf is in “bar form,” which is respresented as _____.
A  A-B-A-B-A
B  A-B
C  A-A-B
D  A-B-A
Question #9
What was one of Martin Luther’s most important and lasting contributions to Western culture?
A  the creation of polyphony
B  spearheading the Counter-Reformation
C  the idea that musical worship is solely the domain of the priest and the choir
D  the idea that musical worship belongs to the congregation
Question #10
Martin Luther and fellow reformer John Calvin believed only priests who were trained singers should participate in church music-making.
A  FALSE
B  TRUE
Question #11
In the last movement of Bach’s Cantata No. 140
A  the chorale melody is heard only in the orchestra.
B  the chorale melody is not heard.
C  the chorale melody is heard in the soprano line.
D  the chorale melody is sung by a cappella chorus.
Question #12
In the Lutheran tradition, the cantata was performed along with the Gospel reading, sermon, and prayers
A  during Lent.
B  only on Christmas.
C  only on Easter.
D  on most Sundays of the church year.
Question #13
In regard to the cantatas by J. S. Bach, which statement is NOT true?
A  Bach’s church cantatas are single-movement works.
B  Bach wrote most of his cantatas for the Lutheran church.
C  Bach wrote over 200 cantatas.
D  Many of Bach’s cantatas are based on Lutheran chorale or hymn tunes.
Question #14
Four sons of Bach’s nineteen children were leading composers of the next generation.
A  FALSE
B  TRUE
Question #15
For which church did J. S. Bach write his cantatas?
A  Calvinist
B  Roman Catholic
C  Lutheran
D  Church of England
Question #16
For what religious occasion was the cantata Wachet auf (Sleepers Awake) written?
A  the birth of the Virgin Mary
B  Easter
C  the birth of St. John the Baptist
D  the end of the church year
Question #17
Bach’s Cantata No. 140 is sung in what language?
A  French
B  German
C  Italian
D  Latin
Question #18
Bach wrote many of his most important works for which instrument?
A  organ
B  cello
C  flute
D  guitar
Question #19
Bach composed in all genres except
A  concerto.
B  opera.
C  cantata.
D  keyboard music.
Question #20
Which statement about Johann Sebastian Bach’s career is NOT true?
A  Bach was a renowned organist.
B  Bach spent the last several decades of his life working at St. Thomas Church in Leipzig.
C  While in Leipzig, Bach was responsible for directing the university music group.
D  Bach had an international career.
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Manush
Fresh Graduate
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