Test 2

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Question #1

The ___________________________ was rejuvenated after a wildly successful concert and album that took place at Newport, Rhode Island, in 1956.

A Jimmy Lunceford Band

B Benny Goodman Band

C Duke Ellington Band

D Count Basie Band

Question #2

The Big Band Era is synonymous with The Swing Era

A FALSE

B True

Question #3

Lester Young was well known for bestowing nicknames to his fellow musicians. Billie Holiday gave him this famous nickname:

A Chief

B Gates (as in swings like a gate)

C Gov

D Prez

Question #4

“Jack the Bear” was a composition and arrangement written by Duke Ellington to feature the extraordinary bass technique of:

A Dave Holland

B Walter Page

C Jimmy Blanton

D Ron Carter

Question #5

Kansas City was the home base for many territory bands. Territory bands:

A played only in large theaters

B Toured in a limited geographic area

C Never traveled at all

D marked their “territory” by street brawls

Question #6

Kansas City Swing emphasized the use of up tempo blues, extended solos, syncopated call and response, and

A Complex written arrangements

B Head Arrangements

C Collective Improvisation

D Slow ballads

Question #7

Ella Fitzgerald set the standard for singers around world with her mastery of the art of:

A front phrasing

B back phrasing

C rhythmic displacement

D Scat Singing

Question #8

Freddie Green played guitar in the Count Basie’s Band in a rhythm section that was called:

A The Band

B The Red, White, and Blues

C The All American Rhythm Section

D The Swing Kings

Question #9

One of the most popular songs of the Swing Era was performed by the Benny Goodman Orchestra.

A Dance, Dance, Dance

B In the Mood

C Jitterbuggin

D Sing, Sing, Sing

Question #10

The Reno Club, a venue that often featured Count Basie and his Barons of Rhythm, was a popular night spot in:

A New York

B Newark

C Chicago

D Kansas City, Mo.

Question #11

This regal big band moved to New York in March, 1937, shed their royal title, and frequently played at a 52nd Street basement club called the Famous Door:

A Duke Ellington and the Washingtonians

B The King Pleasure Band

C Count Basie and his Barons of Rhythm

D The Rhythm Kings

Question #12

Most observers would describe the tone color of Coleman Hawkins’ tenor saxophone as:

A very similar to Lester Young’s

B lighter than Lester Young’s

C Impossible to describe

D darker than Lester Young’s

Question #13

The famous nick name given to Billie Holiday by her close friend Lester Young was:

A The Voice

B Little Miss Sassy

C Sister Girl

D Lady Day

Question #14

Coleman Hawkins’ main rival for tenor saxophone supremacy in the 1930’s was:

A Harry “Sweets” Edison

B Lester Young

C Ben Webster

D Buddy DeFranco

Question #15

In the 1930’s, Kansas City’s defiance of the 1920 federal “Prohibition” on alcohol, in addition to the laws against prostitution and gambling, created an “open” city which attracted musicians from all over the mid and south west.

A FALSE

B True

Question #16

The Savoy Ballroom was an especially important location for dancing located in:

A Cleveland, OH

B Chicago, Ill

C The Harlem neighborhood of Manhattan, NY

D Brooklyn, NY

Question #17

A “head arrangement” is

A An arrangement which allows band members to alternate bathroom breaks.

B An informal arrangement often worked out collectively in rehearsal or even during performance.

C A complex arrangement requiring many hours of preparation and rehearsal.

D None of the Above

Question #18

Louis Armstrong’s piano playing recording partner in the late 20’s went on to lead a popular big band in the 30’s that launched the careers of Billy Eckstine and Sarah Vaughan and others. His name was:

A Teddy Wilson

B Earl (Fatha) Hines

C William (Count) Basie

D Edward Kennedy (Duke) Ellington

Question #19

Freddie Green, a member of the All American Rhythm Section, played electric guitar without amplification or solo opportunities in the:

A Duke Ellington Band

B Casa Loma Band

C Count Basie Band

D Fletcher Henderson Band

Question #20

Harry Carney supplied the foundation for the Ellington ensemble sound with his masterful playing of the:

A Bass

B Bass Trombone

C Tuba

D Baritone Saxophone

Question #21

Lionel Hampton was a drummer for Louis Armstrong’s band in the 30’s but he became world famous as a performer on which instrument?

A saxophone

B piano

C drums

D vibraphone

Question #22

The jazz rhythm section consists of piano, guitar, ________, and ________

A drums

B drums and tuba

C drums and saxophone

D drums and bass

Question #23

In 1935, Benny Goodman took the bold step of bringing a black musician into his previously all white small group when he hired pianist______________

A Edward Kennedy (Duke) Ellington

B Fats Waller

C Wilson Pickett

D Teddy Wilson

Question #24

Coleman Hawkins’ most famous recording was of the song:

A Darn That Dream

B Body and Soul

C All the Things You Are

D Embraceable You

Question #25

The two most prominent alto saxophone players of the swing period were Johnny Hodges and _____________

A Roy Eldridge

B Lester Young

C Coleman Hawkins

D Benny Carter

Question #26

Benny Goodman, Artie Shaw, and Woody Herman were primarily known as:

A Trumpet players

B Clarinetists

C Clarinetists and bandleaders

D Trombonists

Question #27

Black, Brown, and Beige, an extended “Suite” that premiered at Carnegie Hall in 1943, was a tone parallel (Program Music) to the history of African Americans was written by:

A Edward Kennedy (Duke) Ellington

B Count Basie

C Scott Joplin

D George Gershwin

Question #28

This 1938 recording made Ella Fitzgerald a national celebrity and fulfilled Chick Webb’s dream of attaining name band status:

A “A Fine Romance”

B ”A-Tisket, A-Tasket”

C “Thriller”

D “Object of My Affection”

Question #29

Which of the following does NOT apply to the singing style of Billie Holiday?

A Acute rhythmic and tonal finesse

B Virtuoso scatting abilities

C Emotional/psychological depth

D Conversational style

Question #30

This swing era singer was discovered at a talent contest at Harlem’s Apollo Theater:

A Ella Fitzgerald

B Billie Holiday

C Anita Baker

Question #31

In 1933 John Hammond discovered this unique 18 year old singer from Baltimore, Maryland at Monette’s Supper Club in Harlem:

A Ida Cox

B Anita O’Day

C Billie Holiday

D Ella Fitzgerald

Question #32

How was Lester Young received in Fletcher Henderson’s band when he arrived to replace Coleman Hawkins in the mid-1930s?

A He was coached on Hawkin’s style and sound in the hopes that he would adopt it

B He was celebrated as a fresh new sound

C He was immediately asked to lead the saxophone section

D He was asked to switch to his first instrument, the drum set

Question #33

Which of the following applies to Coleman Hawkins’s 1939 recording of “Body and Soul”?

A It established Hawkins as a top clarinetist

B It features a double time trombone solo at the beginning

C The tenor saxophone builds in range and dynamics to a climax

D It’s an outstanding example of big band jazz

Question #34

The center for developments in small-group jazz during the Swing Era was _________ in New York.

A Brownsville, Brooklyn

B Greenwich Village

C Hell’s Kitchen

D 52nd Street (Swing Street)

Question #35

White swing took root when white jazz players such as Benny Goodman from the __________ area began fillings spots in ___________ big bands.

A New Orleans/Chicago

B Los Angeles/New York

C St.Louis/Kansas City

D Chicago/New York

Question #36

Which of the following best describes The International Sweethearts of Rhythm?

A An excellect all female band

B a children’s choir

C a tap dancing collective

D a Fisk University glee club

Question #37

The pianist and arranger who became Duke Ellington’s writing partner and principal collaborator was:

A Bill Bailey

B Count Basie

C Billy Childs

D Billy Strayhorn

Question #38

This Ellington sideman came to be known as the father of the jazz bass solo:

A James P Johnson

B Ron Carter

C Walter Page

D Jimmy Blanton

Question #39

One of Duke Ellington’s most popular soloists, perhaps, was trumpeter __________.

A Bubber Miley

B Ray Nance

C Cootie Williams

D Miles Davis

Question #40

TRUE OR FALSE? By the early 1930s Duke Ellington had attained a level of celebrity that somewhat insulated him from prevailing racial stereotypes as evidenced by his first film appearance in “Check and Double Check.”

A FALSE

B True

Question #41

This bass player from the All American Rhythm Section hired Count Basie’s during his early Kansas City days:

A Jimmy Scott

B Walter Page

C Ira Coleman

D Jimmy Blanton

Question #42

Count Basie made his national reputation as the result of radio broadcasts from which of the following 52nd Street New York nightclubs?

A Studio 54

B Grand Terrace Ballroom

C Cotton Club

D Famous Door

Question #43

Which of the following was NOT a typical feature of Kansas City style?

A emphasized improvising soloists

B riff-based compositions

C blues-based compositions

D use of complex written arrangements

Question #44

The arranging practice of pitting one band section against another in alternating patterns is called

A multi tracking

B mixed voicing

C Antiphonal

D switch-hitting

Question #45

This individual is often regarded as one of greatest and most prolific American composers of jazz:

A Edward Kennedy (Duke) Ellington

B Fletcher Henderson

C Jimmie Lunceford

D George Gershwin

Question #46

Territory bands were jazz or dance bands that:

A Played for mixed-race audiences

B Played in Mid-town Manhattan hotels

C Played in a limited geographic region

D Played a limited number of songs types

Question #47

A Palladium

B Savoy Ballroom

C The Funky Butt Club

D The Club Alabam

Question #48

A the Charleston

B the jerk

C the Lindy Hop

D the Bump

Question #49

What were the three Ps of the Jimmy Lunceford band:

A Purpose, Profundity, Perspicacity

B Practice, Practice, Practice

C Pot, Practice, Petulance

D Presentation, Precision, Polish

Question #50

Who was John Hammond?

A a prominent disc jockey in New York City

B an influential critic, band manager, record producer, and talent scout

C a wealthy jazz patron who commissioned several major jazz compositions

D one of the first white big bandleaders to adopt swing

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