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Quiz 41

Navigation   » List of Schools  »  Glendale Community College  »  Music  »  Music 120 – Music Appreciation  »  Fall 2019  »  Quiz 41

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Below are the questions for the exam with the choices of answers:

Question #1
Which describes the character of the fourth movement of Symphonie fantastique?
A  a pastoral scene
B  a diabolical march
C  a ball
D  a witches’ orgy
Question #2
What gave Hector Berlioz the opportunity to work in Italy?
A  commissions from La Scala
B  becoming a canon of the Church
C  a rich patron
D  winning the Prix de Rome
Question #3
The transformations of the fixed idea in Berlioz’s Symphonie fantastique take on literary as well as musical significance.
A  TRUE
B  FALSE
Question #4
The main theme, heard transformed in each movement of Berlioz’s Symphonie fantastique, is called the
A  “fate motive.”
B  Dies irae.
C  idée fixe.
D  subject.
Question #5
The inspiration for Berlioz’s Symphonie fantastique was
A  the writer George Sand.
B  the actress Harriet Smithson.
C  the composer Clara Schumann.
D  the playwright Victor Hugo.
Question #6
The idée fixe
A  represents the beloved.
B  is a recurring motive that appears in every movement.
C  represents Harriet Smithson.
D  All possible answers.
Question #7
The appearances of the recurring theme in Symphonie fantastique are varied in harmony, rhythm, meter, tempo, dynamics, register, and instrumental color. This is known as
A  theme and variations form.
B  character development.
C  All possible answers.
D  thematic transformation.
Question #8
The Dies irae heard in Berlioz’s Symphonie fantastique is
A  the well-known religious plainchant tune.
B  the idée fixe.
C  a recurring theme.
D  a motive that represents the beloved.
Question #9
Symphonie fantastique is comprised of how many movements?
A  three
B  four
C  five
D  one
Question #10
Which describes the genre of Berlioz’s Symphonie fantastique?
A  incidental music
B  symphonic poem
C  program symphony
D  concert overture
Question #11
Instrumental music that has some literary or pictorial association is called _____ music.
A  program
B  absolute
C  pure
D  chamber
Question #12
One of Berlioz’s key areas of innovation was orchestration.
A  FALSE
B  TRUE
Question #13
Music lacking any literary or pictorial association is called
A  chamber music.
B  absolute music.
C  incidental music.
D  program music.
Question #14
March to the Scaffold and Dream of a Witches’ Sabbath embody the Romantic era’s fascination with
A  Beethoven’s Ninth Symphony.
B  the grotesque and supernatural.
C  the Bohemian artist.
D  Shakespeare.
Question #15
Instrumental music that has some literary or pictorial association is absolute music.
A  FALSE
B  TRUE
Question #16
In which movement does Berlioz use the Dies irae (“Day of Wrath”)?
A  first
B  fifth
C  fourth
D  second
Question #17
In the fourth movement of Berlioz’s Symphonie fantasique, what does the loud chord immediately after the solo clarinet’s statement of the idée fixe represent?
A  his awakening from the dream
B  the witches at the composer’s funeral
C  the last image of his beloved
D  the falling of the guillotine’s blade
Question #18
Berlioz’s father expected him to follow in his footsteps as a
A  music critic.
B  physician.
C  baker.
D  composer.
Question #19
Berlioz’s Symphonie fantastique is connected to the composer’s personal life.
A  TRUE
B  FALSE
Question #20
A ________ is a multimovement programmatic orchestral work.
A  symphonic poem
B  symphony
C  concerto
D  program symphony
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Fresh Graduate
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