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Quiz 39

Navigation   » List of Schools  »  Glendale Community College  »  Music  »  Music 120 – Music Appreciation  »  Fall 2019  »  Quiz 39

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Below are the questions for the exam with the choices of answers:

Question #1
Which does NOT apply to Chopin’s compositional style?
A  delicate ornaments in his melodies
B  harmonies sustained by the pedal
C  strict adherence to forms established by Classical composers
D  widely spaced chords in the left hand
Question #2
Which describes the character of Chopin’s nocturnes?
A  melancholic and meditative
B  noble and expansive
C  stately and patriotic
D  marchlike and virtuosic
Question #3
Which describes Chopin’s compositional output?
A  He composed in most genres except opera.
B  He wrote almost exclusively for the piano.
C  He composed piano music and string quartets.
D  He wrote sacred and secular works.
Question #4
Which composer is credited with originating the modern piano style?
A  Liszt
B  Beethoven
C  Chopin
D  Mozart
Question #5
Which city was the center of the new Romanticism of the 1830s?
A  Warsaw
B  Vienna
C  Paris
D  New York
Question #6
Which American piano maker took the top award at the Paris Exhibition of 1887?
A  Yamaha
B  Chickering
C  Steinway
D  Baldwin
Question #7
What describes the character of Chopin’s Military Polonaise?
A  dreamy
B  marchlike
C  dancelike
D  melancholic
Question #8
The musical elements that contribute to the “military splendor” in Chopin’s Polonaise include all of the following EXCEPT:
A  unrelenting polonaise rhythm.
B  bold rhythmic chords.
C  dotted martial theme.
D  modal harmonies.
Question #9
The most valued aspect(s) of the nineteenth-century piano
A  is the unique sound production by plucking of quills.
B  is its ability to play melodies.
C  are the sets of pipes that create contrasting tone colors.
D  is its suitability for polyphonic and homophonic textures.
Question #10
The instrumental equivalent to the song was the
A  Lied.
B  concerto.
C  sonata.
D  character piece.
Question #11
Works with fanciful titles are _______ pieces.
A  nationalistic
B  concert
C  chamber
D  character
Question #12
Which statement about the nineteenth-century piano is NOT true?
A  The piano was the most central instrument in nineteenth-century musical culture.
B  There were few technological improvements made to the piano during the nineteenth century.
C  The piano was the most expressive, technologically versatile instrument available.
D  The piano became a popular instrument for amateur musicians in the nineteenth century.
Question #13
The polonaise represents musical nationalism because it is a
A  Polish lullaby.
B  Polish dance.
C  Russian lullaby.
D  French song.
Question #14
Which are technical advances made to the piano during the nineteenth century?
A  extended range
B  improved mechanical action
C  metal frame, increased string tension
D  All possible answers.
Question #15
What was Chopin’s native land?
A  Germany
B  Poland
C  Italy
D  France
Question #16
Factory production of the nineteenth-century piano meant
A  reduced cost.
B  it became a fixture in middle class homes.
C  it became a fixture in upper class homes.
D  All possible answers.
Question #17
Chopin taught his students to play rubato by keeping the right hand steady, while the music in the left hand hesitated and hurried forward.
A  FALSE
B  TRUE
Question #18
Chopin paid homage to his Eastern European ancestry by composing
A  preludes and nocturnes.
B  mazurkas and polonaises.
C  etudes and scherzos.
D  sonatas and concertos.
Question #19
After his conservatory studies, Chopin spent most of his productive career in
A  London, England.
B  Vienna, Austria.
C  Paris, France.
D  Warsaw, Poland.
Question #20
“Tempo rubato” translates as
A  “in strict time.”
B  “robbed time.”
C  “quick tempo.”
D  “rhythmic tempo.”
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