Mid-Term, Part Two

A  The ability to “read” the language of visual images

B  The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

C  Literally, the seat of the bishop: the bishop’s primary or “home” church

D  Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

E  French term meaning “advance guard” In general, t refers to innovative art

A  Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

B  French term meaning “advance guard” In general, t refers to innovative art

C  The ability to “read” the language of visual images

D  Literally, the seat of the bishop: the bishop’s primary or “home” church

E  The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

A  French term meaning “advance guard” In general, t refers to innovative art

B  Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

C  Literally, the seat of the bishop: the bishop’s primary or “home” church

D  The ability to “read” the language of visual images

E  The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

A  Literally, the seat of the bishop: the bishop’s primary or “home” church

B  The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

C  French term meaning “advance guard” In general, t refers to innovative art

D  Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

E  The ability to “read” the language of visual images

A  The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

B  Literally, the seat of the bishop: the bishop’s primary or “home” church

C  Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

D  The ability to “read” the language of visual images

E  French term meaning “advance guard” In general, t refers to innovative art

A  Jacques Louis David

B  Caravaggio

C  Louis XIV

D  Gianlorenzo Bernini

A  How popular culture is a system of education.

B  How seeing is affected by what we know or what we believe.

C  How text and images of the Near East stereotyped their culture for Europeans.

A  Edward Said

B  Marshall McLuhan

C  bell hooks

A  Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using

B  Aztec Earth Goddess, “She of the Serpent Skirts”.

C  Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

D  A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

E  Stepped pyramidal platform for a temple, in Ancient Sumer.

A  Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines & a vanishing point.

B  Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

C  Stepped pyramidal platform for a temple, in Ancient Sumer.

D  Aztec Earth Goddess, “She of the Serpent Skirts”.

E  A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

A  Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

B  A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

C  Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines & a vanishing point.

D  Stepped pyramidal platform for a temple, in Ancient Sumer.

E  Aztec Earth Goddess, “She of the Serpent Skirts”.

A  Stepped pyramidal platform for a temple, in Ancient Sumer.

B  Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

C  Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines & a vanishing point.

D  Aztec Earth Goddess, “She of the Serpent Skirts”.

E  A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

A  A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

B  Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines& a vanishing point.

C  Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

D  Aztec Earth Goddess, “She of the Serpent Skirts”.

E  Stepped pyramidal platform for a temple, in Ancient Sumer.