Quiz 3 The Baroque Period

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Question #1

Baroque trio sonatas usually involve ____________ performers.

A five

B three

C four

D two

Question #2

The sonata originated in

A France.

B Italy.

C Germany.

D the Netherlands.

Question #3

In the myth of Orpheus, Orpheus goes to Hades in the hope of bringing ____________ back to life.

A Oriana

B Eurydice

C Phyllis

D Persephone

Question #4

To evoke angry or warlike feelings in some of his texts, Monteverdi introduced new orchestral effects, including pizzicato and

A sul ponticello.

B tremolo.

C double stops.

D col legno.

Question #5

A typical baroque operatic form was the da capo aria in ABA form in which the singer

A would insert recitatives between the sections for added variety.

B would make a literal repetition of the opening A section after the B section.

C was expected to embellish the returning melody with ornamental tones.

D would improvise new words for the returning A section.

Question #6

Castrati

A combined the lung power of a man with the vocal range of a woman.

B were male singers who had been castrated before puberty.

C All answers are correct.

D received the highest fees of any musicians.

Question #7

The stage machinery of baroque opera

A replaced set designs.

B was very primitive.

C was nonexistent.

D bordered on the colossal.

Question #8

The earliest opera that has been preserved is Jacopo Peri’s

A Euridice.

B Arsace.

C Orfeo.

D Nerone.

Question #9

Most early baroque operas were based on Greek mythology and

A ancient history.

B contemporary political events.

C contemporary exploration of the new world.

D lyric poetry.

Question #10

Members of the Camerata wanted to create a new vocal style based on the

A organum of the Middle Ages.

B polyphonic madrigal.

C glories of their aristocratic patrons.

D music of the ancient Greek tragedies.

Question #11

The two giants of baroque composition were George Frideric Handel and

A Johann Christian Bach.

B Galileo Galilei.

C Johann Sebastian Bach.

D Giovanni Gabrieli.

Question #12

The text, or book, of a musical dramatic work is called the

A story.

B score.

C form.

D libretto.

Question #13

____________ is a musical procedure in which a fugue subject is imitated before it is completed.

A Augmentation

B Retrograde

C Stretto

D Diminution

Question #14

Transitional sections of a fugue that offer either new material or fragments of the subject or countersubject are called

A preludes.

B strettos.

C episodes.

D answers.

Question #15

In many fugues, the subject in one voice is constantly accompanied in another voice by a different melodic idea called a(n)

A countersubject.

B stretto.

C episode.

D answer.

Question #16

Bach’s Brandenburg Concerto No. 5 is unusual in that

A it consists of a single movement.

B it consists of four movements.

C it gives a solo role to the harpsichord.

D the first movement is not in typical ritornello form.

Question #17

The solo instruments in Bach’s Brandenburg Concerto No. 5 are the ____________, violin, and harpsichord.

A flute

B trumpet

C oboe

D cello

Question #18

The large group of players in a concerto grosso is known as the

A soloists.

B tutti.

C orchestra.

D concertino.

Question #19

A concerto grosso most often has ____________ movement(s).

A four

B three

C two

D one

Question #20

In Italy, music schools were often connected with

A courts of the nobility.

B public schools.

C universities.

D orphanages.

Question #21

Frederick the Great, king of Prussia, was a

A composer.

B All answers are correct.

C flutist.

D general.

Question #22

A large court during the baroque period might employ about ____________ performers.

A 80

B 24

C 18

D 120

Question #23

A bass part together with numbers that specify the chords to be played above it is called

A basso profundo.

B counterpoint.

C sequenced bass.

D figured bass.

Question #24

Terraced dynamics refers to

A dynamics that are not written in the music but added by the performer.

B a gradual change from soft to loud.

C a gradual change from loud to soft.

D the sudden alternation from one dynamic level to another.

Question #25

Melodic sequence refers to

A the pedagogical steps in learning to play an instrument.

B a composition by Vivaldi.

C the successive repetition of a musical idea at higher or lower pitches.

D a preferred method of tuning an instrument.

Question #26

Baroque melodies often are

A impossible to play.

B elaborate and ornamental.

C easy to sing and remember.

D short and simple.

Question #27

The compelling drive and energy in baroque music are usually provided by

A complex harmonic progressions.

B the high dynamic level.

C repeated rhythmic patterns.

D a bawdy text.

Question #28

The baroque principle of ____________ may be temporarily suspended in vocal music when drastic changes of emotion in a text inspires corresponding changes in the music.

A terraced dynamics

B unity of mood

C basso continuo

D All answers are correct.

Question #29

Affections in baroque usage refers to

A emotional states or moods of music.

B terraced dynamics.

C the doctrine of universal brotherhood.

D the nobility’s manner of deportment.

Question #30

Modern historians use the term baroque to indicate

A a class of musical instruments that no longer function.

B a scientific movement popular in the seventeenth century.

C a particular style in the arts, involving action and movement.

D a period of decline in the arts.

Question #31

Where did Handel’s Messiah receive its premiere?

A Venice

B London

C Austria

D Ireland

Question #32

Handel’s Messiah is an example of

A an oratorio.

B a song.

C musical theater.

D an opera.

Question #33

George Frideric Handel was born in 1685, the same year as

A Johann Sebastian Bach.

B Arcangelo Corelli.

C Antonio Vivaldi.

D Claudio Monteverdi.

Question #34

Oratorio differs from opera in that it has no

A acting, scenery, or costumes.

B vocal soloists.

C choral part.

D orchestral accompaniment.

Question #35

A large-scale composition for chorus, vocal soloists, and orchestra, usually set to a narrative biblical text, is called a(n)

A chorale.

B aria.

C oratorio.

D recitative.

Question #36

In their use of aria, duet, and recitative, Bach’s cantatas closely resembled the ____________ of the time.

A sonatas

B operas

C concertos

D suites

Question #37

The various dances of the baroque suite are usually

A in theme and variation form.

B in ABA form.

C in AABB form.

D polyphonic in texture.

Question #38

In contrast to fugues, baroque suites tended to have ____________ because they were based on dance steps.

A melodies in minor keys

B choral singers

C balanced and symmetrical phrases

D foot stomps and hand claps

Question #39

Although all the movements of a baroque suite are in the same key, they differ in

A national origin.

B All answers are correct.

C tempo.

D meter.

Question #40

Monteverdi, an early baroque composer, strove to create music that was

A passionate and dramatic.

B difficult to perform.

C placid and smooth.

D extremely complex.

Question #41

Bach achieves unity of mood in his compositions by using

A musical symbolism.

B homophonic texture.

C an insistent rhythmic drive.

D simple melodic ideas.

Question #42

Bach created masterpieces in every baroque form except

A sonata.

B opera.

C fugue.

D concerto.

Question #43

A Vivaldi concerto usually has ____________ movements.

A a variable number of

B three

C four

D two

Question #44

Vivaldi spent most of his life working at an institution for orphaned and illegitimate girls in

A Florence.

B Rome.

C Cremona.

D Venice.

Question #45

The theorbo is a(n)

A bass woodwind instrument similar to the bassoon.

B keyboard instrument suitable for playing basso continuo parts.

C plucked string instrument capable of producing chords as well as a bass line.

D electronic instrument whose tone is generated by oscillators.

Question #46

A sonata to be played at court, and therefore dancelike in character, was called a

A sonata da camera.

B trio sonata.

C tarantella.

D sonata da chiesa.

Question #47

The early baroque was characterized by

A diffusion of the style into every corner of Europe.

B development of the standardized orchestra.

C homophonic texture.

D elaborate counterpoint.

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Quiz 3 The Baroque Period

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