Quiz 3 The Baroque Period

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Question #1

Baroque trio sonatas usually involve ____________ performers.

A two

B four

C five

D three

Question #2

The sonata originated in

A France.

B Germany.

C the Netherlands.

D Italy.

Question #3

In the myth of Orpheus, Orpheus goes to Hades in the hope of bringing ____________ back to life.

A Persephone

B Oriana

C Phyllis

D Eurydice

Question #4

To evoke angry or warlike feelings in some of his texts, Monteverdi introduced new orchestral effects, including pizzicato and

A tremolo.

B col legno.

C sul ponticello.

D double stops.

Question #5

A typical baroque operatic form was the da capo aria in ABA form in which the singer

A would insert recitatives between the sections for added variety.

B was expected to embellish the returning melody with ornamental tones.

C would improvise new words for the returning A section.

D would make a literal repetition of the opening A section after the B section.

Question #6

Castrati

A received the highest fees of any musicians.

B were male singers who had been castrated before puberty.

C combined the lung power of a man with the vocal range of a woman.

D All answers are correct.

Question #7

The stage machinery of baroque opera

A was very primitive.

B was nonexistent.

C replaced set designs.

D bordered on the colossal.

Question #8

The earliest opera that has been preserved is Jacopo Peri’s

A Arsace.

B Orfeo.

C Nerone.

D Euridice.

Question #9

Most early baroque operas were based on Greek mythology and

A lyric poetry.

B contemporary exploration of the new world.

C contemporary political events.

D ancient history.

Question #10

Members of the Camerata wanted to create a new vocal style based on the

A organum of the Middle Ages.

B music of the ancient Greek tragedies.

C glories of their aristocratic patrons.

D polyphonic madrigal.

Question #11

The two giants of baroque composition were George Frideric Handel and

A Giovanni Gabrieli.

B Johann Sebastian Bach.

C Galileo Galilei.

D Johann Christian Bach.

Question #12

The text, or book, of a musical dramatic work is called the

A score.

B libretto.

C story.

D form.

Question #13

____________ is a musical procedure in which a fugue subject is imitated before it is completed.

A Diminution

B Stretto

C Retrograde

D Augmentation

Question #14

Transitional sections of a fugue that offer either new material or fragments of the subject or countersubject are called

A preludes.

B answers.

C strettos.

D episodes.

Question #15

In many fugues, the subject in one voice is constantly accompanied in another voice by a different melodic idea called a(n)

A episode.

B countersubject.

C answer.

D stretto.

Question #16

Bach’s Brandenburg Concerto No. 5 is unusual in that

A it consists of four movements.

B the first movement is not in typical ritornello form.

C it gives a solo role to the harpsichord.

D it consists of a single movement.

Question #17

The solo instruments in Bach’s Brandenburg Concerto No. 5 are the ____________, violin, and harpsichord.

A cello

B trumpet

C oboe

D flute

Question #18

The large group of players in a concerto grosso is known as the

A soloists.

B tutti.

C concertino.

D orchestra.

Question #19

A concerto grosso most often has ____________ movement(s).

A four

B one

C three

D two

Question #20

In Italy, music schools were often connected with

A orphanages.

B courts of the nobility.

C universities.

D public schools.

Question #21

Frederick the Great, king of Prussia, was a

A composer.

B All answers are correct.

C flutist.

D general.

Question #22

A large court during the baroque period might employ about ____________ performers.

A 80

B 18

C 24

D 120

Question #23

A bass part together with numbers that specify the chords to be played above it is called

A basso profundo.

B sequenced bass.

C figured bass.

D counterpoint.

Question #24

Terraced dynamics refers to

A the sudden alternation from one dynamic level to another.

B dynamics that are not written in the music but added by the performer.

C a gradual change from soft to loud.

D a gradual change from loud to soft.

Question #25

Melodic sequence refers to

A the pedagogical steps in learning to play an instrument.

B the successive repetition of a musical idea at higher or lower pitches.

C a composition by Vivaldi.

D a preferred method of tuning an instrument.

Question #26

Baroque melodies often are

A elaborate and ornamental.

B easy to sing and remember.

C short and simple.

D impossible to play.

Question #27

The compelling drive and energy in baroque music are usually provided by

A complex harmonic progressions.

B a bawdy text.

C repeated rhythmic patterns.

D the high dynamic level.

Question #28

The baroque principle of ____________ may be temporarily suspended in vocal music when drastic changes of emotion in a text inspires corresponding changes in the music.

A unity of mood

B terraced dynamics

C basso continuo

D All answers are correct.

Question #29

Affections in baroque usage refers to

A the nobility’s manner of deportment.

B the doctrine of universal brotherhood.

C terraced dynamics.

D emotional states or moods of music.

Question #30

Modern historians use the term baroque to indicate

A a class of musical instruments that no longer function.

B a scientific movement popular in the seventeenth century.

C a particular style in the arts, involving action and movement.

D a period of decline in the arts.

Question #31

Where did Handel’s Messiah receive its premiere?

A Ireland

B Austria

C Venice

D London

Question #32

Handel’s Messiah is an example of

A an opera.

B an oratorio.

C a song.

D musical theater.

Question #33

George Frideric Handel was born in 1685, the same year as

A Johann Sebastian Bach.

B Antonio Vivaldi.

C Claudio Monteverdi.

D Arcangelo Corelli.

Question #34

Oratorio differs from opera in that it has no

A orchestral accompaniment.

B acting, scenery, or costumes.

C vocal soloists.

D choral part.

Question #35

A large-scale composition for chorus, vocal soloists, and orchestra, usually set to a narrative biblical text, is called a(n)

A chorale.

B oratorio.

C aria.

D recitative.

Question #36

In their use of aria, duet, and recitative, Bach’s cantatas closely resembled the ____________ of the time.

A operas

B suites

C concertos

D sonatas

Question #37

The various dances of the baroque suite are usually

A in ABA form.

B in AABB form.

C in theme and variation form.

D polyphonic in texture.

Question #38

In contrast to fugues, baroque suites tended to have ____________ because they were based on dance steps.

A foot stomps and hand claps

B balanced and symmetrical phrases

C melodies in minor keys

D choral singers

Question #39

Although all the movements of a baroque suite are in the same key, they differ in

A national origin.

B tempo.

C All answers are correct.

D meter.

Question #40

Monteverdi, an early baroque composer, strove to create music that was

A difficult to perform.

B extremely complex.

C passionate and dramatic.

D placid and smooth.

Question #41

Bach achieves unity of mood in his compositions by using

A homophonic texture.

B simple melodic ideas.

C musical symbolism.

D an insistent rhythmic drive.

Question #42

Bach created masterpieces in every baroque form except

A sonata.

B opera.

C concerto.

D fugue.

Question #43

A Vivaldi concerto usually has ____________ movements.

A a variable number of

B two

C three

D four

Question #44

Vivaldi spent most of his life working at an institution for orphaned and illegitimate girls in

A Venice.

B Cremona.

C Florence.

D Rome.

Question #45

The theorbo is a(n)

A bass woodwind instrument similar to the bassoon.

B keyboard instrument suitable for playing basso continuo parts.

C electronic instrument whose tone is generated by oscillators.

D plucked string instrument capable of producing chords as well as a bass line.

Question #46

A sonata to be played at court, and therefore dancelike in character, was called a

A sonata da camera.

B tarantella.

C sonata da chiesa.

D trio sonata.

Question #47

The early baroque was characterized by

A homophonic texture.

B elaborate counterpoint.

C development of the standardized orchestra.

D diffusion of the style into every corner of Europe.

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Quiz 3 The Baroque Period

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