Exam 1

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Question #1

An artist paints a scene with a large mountain, which lacks detail and is out of focus, and a tree, which is sharply defined and bright green. The viewer might assume that the mountain is ________ than the tree.

A more important

B older

C much closer

D smaller

E further away

Question #2

An artist can use color to indicate depth. When a color is very pure and intense then it seems to be ________.

A closer

B flatter

C further

D lighter

E darker

Question #3

If vertical lines communicate strength, horizontals calm, and diagonals action, then a vacation resort might want to choose a logo consisting of ________ lines in order to show peaceful repose.

A vertical

B horizontal

C diagonal

D scribbled

E chaotic

Question #4

This method of applying value to a two-dimensional artwork in order to create the illusion of a three-dimensional solid form is called ________.

A palette

B value range

C chiaroscuro

D perspective

E film noir

Question #5

The lightness or darkness of a surface is the element of art called ________.

A line

B color

C value

D shape

E space

Question #6

These four visual elements of art—form, volume, mass, and texture—are present in ________ works of art.

A two-dimensional

B balanced

C large

D modern

E three-dimensional

Question #7

A three-dimensional surface that is designed to be viewed from only one direction is known as a ________.

A texture

B mass

C volume

D relief

E form in the round

Question #8

The chiaroscuro method uses five defined values: cast shadow, reflected light, core shadow, light, and ________.

A scale

B film noir

C highlight

D plane

E palette

Question #9

A two-dimensional object is called a shape, and a three-dimensional object is known as a ________.

A pyramid

B form

C building

D relief

E cube

Question #10

A sculpture designed in the round can be viewed from ________.

A nearly every angle

B above only

C the interior

D the front and back only

E one direction

Question #11

In a two-dimensional work, when the figure becomes the background and the background becomes the figure, we perceive ________.

A a geometric shape

B an organic shape

C a form

D a figure–ground reversal

E an implied shape

Question #12

This is the system for creating an illusion of depth using three basic components: horizon line, vanishing point, and convergence lines.

A chiaroscuro

B palette

C atmospheric perspective

D linear perspective

E highlight

Question #13

When using a series of squares that are exactly the same shape, implied depth can be achieved by ________.

A relative position

B relative size

C alternating value

D overlapping

E all of the other answers

Question #14

This type of shape is composed of unpredictable, irregular lines.

A measured

B geometric

C organic

D implied

E actual

Question #15

Hatching and cross-hatching use two-dimensional lines to communicate ________ depth.

A actual

B textural

C unexpected

D three-dimensional

E colorful

Question #16

Forms such as pyramids, which tend to be precise and regular, are known as ________ forms.

A organic

B textured

C geometric

D implied

E actual

Question #17

When objects are far away they lack contrast, detail, and sharpness of focus because of the interference of air. Artists take advantage of this when they use the process called:

A highlight

B chiaroscuro

C atmospheric perspective

D cross-hatching

E isometric perspective

Question #18

Artists can create a sense of ________ by using light and dark values.

A height

B tension

C humor

D depth

E fear

Question #19

One-point perspective does convey depth, but it has limited applications due to its reliance on a single ________.

A volume

B medium

C color

D vanishing point

E shape

Question #20

A sculpture that can be viewed from more than one side and that occupies space in the same way as other real-life objects is called a ________ sculpture.

A freestanding

B heroic

C implied

D bas-relief

E high relief

Question #21

The process of using a series of parallel lines set close to one another to differentiate planes of value in a work of art is called ________.

A core shadow

B palette

C perspective

D hatching

E highlight

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