Exam 1

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Question #1

An artist paints a scene with a large mountain, which lacks detail and is out of focus, and a tree, which is sharply defined and bright green. The viewer might assume that the mountain is ________ than the tree.

A older

B much closer

C more important

D further away

E smaller

Question #2

An artist can use color to indicate depth. When a color is very pure and intense then it seems to be ________.

A closer

B darker

C further

D flatter

E lighter

Question #3

If vertical lines communicate strength, horizontals calm, and diagonals action, then a vacation resort might want to choose a logo consisting of ________ lines in order to show peaceful repose.

A scribbled

B diagonal

C chaotic

D vertical

E horizontal

Question #4

This method of applying value to a two-dimensional artwork in order to create the illusion of a three-dimensional solid form is called ________.

A palette

B value range

C chiaroscuro

D perspective

E film noir

Question #5

The lightness or darkness of a surface is the element of art called ________.

A shape

B color

C space

D value

E line

Question #6

These four visual elements of art—form, volume, mass, and texture—are present in ________ works of art.

A two-dimensional

B modern

C large

D three-dimensional

E balanced

Question #7

A three-dimensional surface that is designed to be viewed from only one direction is known as a ________.

A texture

B form in the round

C mass

D volume

E relief

Question #8

The chiaroscuro method uses five defined values: cast shadow, reflected light, core shadow, light, and ________.

A highlight

B scale

C film noir

D plane

E palette

Question #9

A two-dimensional object is called a shape, and a three-dimensional object is known as a ________.

A relief

B cube

C pyramid

D form

E building

Question #10

A sculpture designed in the round can be viewed from ________.

A one direction

B above only

C nearly every angle

D the interior

E the front and back only

Question #11

In a two-dimensional work, when the figure becomes the background and the background becomes the figure, we perceive ________.

A a figure–ground reversal

B an organic shape

C a form

D a geometric shape

E an implied shape

Question #12

This is the system for creating an illusion of depth using three basic components: horizon line, vanishing point, and convergence lines.

A atmospheric perspective

B highlight

C chiaroscuro

D palette

E linear perspective

Question #13

When using a series of squares that are exactly the same shape, implied depth can be achieved by ________.

A relative size

B all of the other answers

C alternating value

D relative position

E overlapping

Question #14

This type of shape is composed of unpredictable, irregular lines.

A implied

B actual

C organic

D measured

E geometric

Question #15

Hatching and cross-hatching use two-dimensional lines to communicate ________ depth.

A unexpected

B actual

C three-dimensional

D textural

E colorful

Question #16

Forms such as pyramids, which tend to be precise and regular, are known as ________ forms.

A implied

B textured

C organic

D geometric

E actual

Question #17

When objects are far away they lack contrast, detail, and sharpness of focus because of the interference of air. Artists take advantage of this when they use the process called:

A cross-hatching

B isometric perspective

C highlight

D atmospheric perspective

E chiaroscuro

Question #18

Artists can create a sense of ________ by using light and dark values.

A fear

B humor

C depth

D tension

E height

Question #19

One-point perspective does convey depth, but it has limited applications due to its reliance on a single ________.

A shape

B medium

C color

D vanishing point

E volume

Question #20

A sculpture that can be viewed from more than one side and that occupies space in the same way as other real-life objects is called a ________ sculpture.

A freestanding

B implied

C high relief

D heroic

E bas-relief

Question #21

The process of using a series of parallel lines set close to one another to differentiate planes of value in a work of art is called ________.

A core shadow

B palette

C hatching

D highlight

E perspective

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