Quiz 3 The Baroque Period

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Question #1

Baroque trio sonatas usually involve ____________ performers.

A three

B two

C four

D five

Question #2

The sonata originated in

A the Netherlands.

B France.

C Germany.

D Italy.

Question #3

In the myth of Orpheus, Orpheus goes to Hades in the hope of bringing ____________ back to life.

A Eurydice

B Phyllis

C Persephone

D Oriana

Question #4

To evoke angry or warlike feelings in some of his texts, Monteverdi introduced new orchestral effects, including pizzicato and

A double stops.

B sul ponticello.

C col legno.

D tremolo.

Question #5

A typical baroque operatic form was the da capo aria in ABA form in which the singer

A would insert recitatives between the sections for added variety.

B would improvise new words for the returning A section.

C was expected to embellish the returning melody with ornamental tones.

D would make a literal repetition of the opening A section after the B section.

Question #6

Castrati

A All answers are correct.

B combined the lung power of a man with the vocal range of a woman.

C received the highest fees of any musicians.

D were male singers who had been castrated before puberty.

Question #7

The stage machinery of baroque opera

A bordered on the colossal.

B replaced set designs.

C was very primitive.

D was nonexistent.

Question #8

The earliest opera that has been preserved is Jacopo Peri’s

A Arsace.

B Nerone.

C Orfeo.

D Euridice.

Question #9

Most early baroque operas were based on Greek mythology and

A contemporary exploration of the new world.

B ancient history.

C lyric poetry.

D contemporary political events.

Question #10

Members of the Camerata wanted to create a new vocal style based on the

A polyphonic madrigal.

B organum of the Middle Ages.

C glories of their aristocratic patrons.

D music of the ancient Greek tragedies.

Question #11

The two giants of baroque composition were George Frideric Handel and

A Johann Sebastian Bach.

B Giovanni Gabrieli.

C Johann Christian Bach.

D Galileo Galilei.

Question #12

The text, or book, of a musical dramatic work is called the

A story.

B score.

C form.

D libretto.

Question #13

____________ is a musical procedure in which a fugue subject is imitated before it is completed.

A Retrograde

B Diminution

C Augmentation

D Stretto

Question #14

Transitional sections of a fugue that offer either new material or fragments of the subject or countersubject are called

A episodes.

B preludes.

C strettos.

D answers.

Question #15

In many fugues, the subject in one voice is constantly accompanied in another voice by a different melodic idea called a(n)

A answer.

B episode.

C stretto.

D countersubject.

Question #16

Bach’s Brandenburg Concerto No. 5 is unusual in that

A it consists of a single movement.

B it consists of four movements.

C it gives a solo role to the harpsichord.

D the first movement is not in typical ritornello form.

Question #17

The solo instruments in Bach’s Brandenburg Concerto No. 5 are the ____________, violin, and harpsichord.

A flute

B trumpet

C cello

D oboe

Question #18

The large group of players in a concerto grosso is known as the

A tutti.

B concertino.

C orchestra.

D soloists.

Question #19

A concerto grosso most often has ____________ movement(s).

A four

B three

C two

D one

Question #20

In Italy, music schools were often connected with

A courts of the nobility.

B orphanages.

C universities.

D public schools.

Question #21

Frederick the Great, king of Prussia, was a

A flutist.

B general.

C All answers are correct.

D composer.

Question #22

A large court during the baroque period might employ about ____________ performers.

A 120

B 18

C 80

D 24

Question #23

A bass part together with numbers that specify the chords to be played above it is called

A figured bass.

B basso profundo.

C sequenced bass.

D counterpoint.

Question #24

Terraced dynamics refers to

A a gradual change from loud to soft.

B a gradual change from soft to loud.

C dynamics that are not written in the music but added by the performer.

D the sudden alternation from one dynamic level to another.

Question #25

Melodic sequence refers to

A the successive repetition of a musical idea at higher or lower pitches.

B a preferred method of tuning an instrument.

C a composition by Vivaldi.

D the pedagogical steps in learning to play an instrument.

Question #26

Baroque melodies often are

A impossible to play.

B elaborate and ornamental.

C easy to sing and remember.

D short and simple.

Question #27

The compelling drive and energy in baroque music are usually provided by

A complex harmonic progressions.

B a bawdy text.

C the high dynamic level.

D repeated rhythmic patterns.

Question #28

The baroque principle of ____________ may be temporarily suspended in vocal music when drastic changes of emotion in a text inspires corresponding changes in the music.

A terraced dynamics

B unity of mood

C All answers are correct.

D basso continuo

Question #29

Affections in baroque usage refers to

A the doctrine of universal brotherhood.

B the nobility’s manner of deportment.

C emotional states or moods of music.

D terraced dynamics.

Question #30

Modern historians use the term baroque to indicate

A a particular style in the arts, involving action and movement.

B a scientific movement popular in the seventeenth century.

C a period of decline in the arts.

D a class of musical instruments that no longer function.

Question #31

Where did Handel’s Messiah receive its premiere?

A Ireland

B London

C Austria

D Venice

Question #32

Handel’s Messiah is an example of

A musical theater.

B an opera.

C an oratorio.

D a song.

Question #33

George Frideric Handel was born in 1685, the same year as

A Arcangelo Corelli.

B Claudio Monteverdi.

C Antonio Vivaldi.

D Johann Sebastian Bach.

Question #34

Oratorio differs from opera in that it has no

A vocal soloists.

B choral part.

C acting, scenery, or costumes.

D orchestral accompaniment.

Question #35

A large-scale composition for chorus, vocal soloists, and orchestra, usually set to a narrative biblical text, is called a(n)

A recitative.

B chorale.

C oratorio.

D aria.

Question #36

In their use of aria, duet, and recitative, Bach’s cantatas closely resembled the ____________ of the time.

A suites

B concertos

C sonatas

D operas

Question #37

The various dances of the baroque suite are usually

A polyphonic in texture.

B in AABB form.

C in theme and variation form.

D in ABA form.

Question #38

In contrast to fugues, baroque suites tended to have ____________ because they were based on dance steps.

A balanced and symmetrical phrases

B melodies in minor keys

C choral singers

D foot stomps and hand claps

Question #39

Although all the movements of a baroque suite are in the same key, they differ in

A national origin.

B meter.

C All answers are correct.

D tempo.

Question #40

Monteverdi, an early baroque composer, strove to create music that was

A difficult to perform.

B placid and smooth.

C passionate and dramatic.

D extremely complex.

Question #41

Bach achieves unity of mood in his compositions by using

A simple melodic ideas.

B musical symbolism.

C homophonic texture.

D an insistent rhythmic drive.

Question #42

Bach created masterpieces in every baroque form except

A fugue.

B concerto.

C sonata.

D opera.

Question #43

A Vivaldi concerto usually has ____________ movements.

A two

B a variable number of

C three

D four

Question #44

Vivaldi spent most of his life working at an institution for orphaned and illegitimate girls in

A Venice.

B Rome.

C Cremona.

D Florence.

Question #45

The theorbo is a(n)

A keyboard instrument suitable for playing basso continuo parts.

B bass woodwind instrument similar to the bassoon.

C electronic instrument whose tone is generated by oscillators.

D plucked string instrument capable of producing chords as well as a bass line.

Question #46

A sonata to be played at court, and therefore dancelike in character, was called a

A trio sonata.

B tarantella.

C sonata da camera.

D sonata da chiesa.

Question #47

The early baroque was characterized by

A diffusion of the style into every corner of Europe.

B elaborate counterpoint.

C development of the standardized orchestra.

D homophonic texture.

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Quiz 3 The Baroque Period

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