Test 2

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Question #1

The ___________________________ was rejuvenated after a wildly successful concert and album that took place at Newport, Rhode Island, in 1956.

A Duke Ellington Band

B Count Basie Band

C Benny Goodman Band

D Jimmy Lunceford Band

Question #2

The Big Band Era is synonymous with The Swing Era

A True

B FALSE

Question #3

Lester Young was well known for bestowing nicknames to his fellow musicians. Billie Holiday gave him this famous nickname:

A Prez

B Chief

C Gov

D Gates (as in swings like a gate)

Question #4

“Jack the Bear” was a composition and arrangement written by Duke Ellington to feature the extraordinary bass technique of:

A Ron Carter

B Jimmy Blanton

C Dave Holland

D Walter Page

Question #5

Kansas City was the home base for many territory bands. Territory bands:

A played only in large theaters

B Toured in a limited geographic area

C marked their “territory” by street brawls

D Never traveled at all

Question #6

Kansas City Swing emphasized the use of up tempo blues, extended solos, syncopated call and response, and

A Head Arrangements

B Collective Improvisation

C Slow ballads

D Complex written arrangements

Question #7

Ella Fitzgerald set the standard for singers around world with her mastery of the art of:

A front phrasing

B back phrasing

C rhythmic displacement

D Scat Singing

Question #8

Freddie Green played guitar in the Count Basie’s Band in a rhythm section that was called:

A The All American Rhythm Section

B The Red, White, and Blues

C The Band

D The Swing Kings

Question #9

One of the most popular songs of the Swing Era was performed by the Benny Goodman Orchestra.

A Jitterbuggin

B In the Mood

C Sing, Sing, Sing

D Dance, Dance, Dance

Question #10

The Reno Club, a venue that often featured Count Basie and his Barons of Rhythm, was a popular night spot in:

A Kansas City, Mo.

B Newark

C Chicago

D New York

Question #11

This regal big band moved to New York in March, 1937, shed their royal title, and frequently played at a 52nd Street basement club called the Famous Door:

A The Rhythm Kings

B The King Pleasure Band

C Count Basie and his Barons of Rhythm

D Duke Ellington and the Washingtonians

Question #12

Most observers would describe the tone color of Coleman Hawkins’ tenor saxophone as:

A very similar to Lester Young’s

B Impossible to describe

C lighter than Lester Young’s

D darker than Lester Young’s

Question #13

The famous nick name given to Billie Holiday by her close friend Lester Young was:

A Sister Girl

B Lady Day

C Little Miss Sassy

D The Voice

Question #14

Coleman Hawkins’ main rival for tenor saxophone supremacy in the 1930’s was:

A Harry “Sweets” Edison

B Buddy DeFranco

C Lester Young

D Ben Webster

Question #15

In the 1930’s, Kansas City’s defiance of the 1920 federal “Prohibition” on alcohol, in addition to the laws against prostitution and gambling, created an “open” city which attracted musicians from all over the mid and south west.

A True

B FALSE

Question #16

The Savoy Ballroom was an especially important location for dancing located in:

A Brooklyn, NY

B Chicago, Ill

C The Harlem neighborhood of Manhattan, NY

D Cleveland, OH

Question #17

A “head arrangement” is

A A complex arrangement requiring many hours of preparation and rehearsal.

B An arrangement which allows band members to alternate bathroom breaks.

C An informal arrangement often worked out collectively in rehearsal or even during performance.

D None of the Above

Question #18

Louis Armstrong’s piano playing recording partner in the late 20’s went on to lead a popular big band in the 30’s that launched the careers of Billy Eckstine and Sarah Vaughan and others. His name was:

A Earl (Fatha) Hines

B William (Count) Basie

C Edward Kennedy (Duke) Ellington

D Teddy Wilson

Question #19

Freddie Green, a member of the All American Rhythm Section, played electric guitar without amplification or solo opportunities in the:

A Fletcher Henderson Band

B Count Basie Band

C Duke Ellington Band

D Casa Loma Band

Question #20

Harry Carney supplied the foundation for the Ellington ensemble sound with his masterful playing of the:

A Baritone Saxophone

B Bass

C Tuba

D Bass Trombone

Question #21

Lionel Hampton was a drummer for Louis Armstrong’s band in the 30’s but he became world famous as a performer on which instrument?

A piano

B drums

C saxophone

D vibraphone

Question #22

The jazz rhythm section consists of piano, guitar, ________, and ________

A drums

B drums and saxophone

C drums and tuba

D drums and bass

Question #23

In 1935, Benny Goodman took the bold step of bringing a black musician into his previously all white small group when he hired pianist______________

A Teddy Wilson

B Wilson Pickett

C Fats Waller

D Edward Kennedy (Duke) Ellington

Question #24

Coleman Hawkins’ most famous recording was of the song:

A All the Things You Are

B Embraceable You

C Darn That Dream

D Body and Soul

Question #25

The two most prominent alto saxophone players of the swing period were Johnny Hodges and _____________

A Lester Young

B Benny Carter

C Roy Eldridge

D Coleman Hawkins

Question #26

Benny Goodman, Artie Shaw, and Woody Herman were primarily known as:

A Clarinetists

B Clarinetists and bandleaders

C Trumpet players

D Trombonists

Question #27

Black, Brown, and Beige, an extended “Suite” that premiered at Carnegie Hall in 1943, was a tone parallel (Program Music) to the history of African Americans was written by:

A George Gershwin

B Count Basie

C Edward Kennedy (Duke) Ellington

D Scott Joplin

Question #28

This 1938 recording made Ella Fitzgerald a national celebrity and fulfilled Chick Webb’s dream of attaining name band status:

A “Thriller”

B ”A-Tisket, A-Tasket”

C “A Fine Romance”

D “Object of My Affection”

Question #29

Which of the following does NOT apply to the singing style of Billie Holiday?

A Virtuoso scatting abilities

B Acute rhythmic and tonal finesse

C Emotional/psychological depth

D Conversational style

Question #30

This swing era singer was discovered at a talent contest at Harlem’s Apollo Theater:

A Ella Fitzgerald

B Anita Baker

C Billie Holiday

Question #31

In 1933 John Hammond discovered this unique 18 year old singer from Baltimore, Maryland at Monette’s Supper Club in Harlem:

A Billie Holiday

B Anita O’Day

C Ida Cox

D Ella Fitzgerald

Question #32

How was Lester Young received in Fletcher Henderson’s band when he arrived to replace Coleman Hawkins in the mid-1930s?

A He was coached on Hawkin’s style and sound in the hopes that he would adopt it

B He was celebrated as a fresh new sound

C He was immediately asked to lead the saxophone section

D He was asked to switch to his first instrument, the drum set

Question #33

Which of the following applies to Coleman Hawkins’s 1939 recording of “Body and Soul”?

A It established Hawkins as a top clarinetist

B It’s an outstanding example of big band jazz

C It features a double time trombone solo at the beginning

D The tenor saxophone builds in range and dynamics to a climax

Question #34

The center for developments in small-group jazz during the Swing Era was _________ in New York.

A Hell’s Kitchen

B Greenwich Village

C Brownsville, Brooklyn

D 52nd Street (Swing Street)

Question #35

White swing took root when white jazz players such as Benny Goodman from the __________ area began fillings spots in ___________ big bands.

A New Orleans/Chicago

B St.Louis/Kansas City

C Chicago/New York

D Los Angeles/New York

Question #36

Which of the following best describes The International Sweethearts of Rhythm?

A An excellect all female band

B a Fisk University glee club

C a tap dancing collective

D a children’s choir

Question #37

The pianist and arranger who became Duke Ellington’s writing partner and principal collaborator was:

A Billy Strayhorn

B Billy Childs

C Bill Bailey

D Count Basie

Question #38

This Ellington sideman came to be known as the father of the jazz bass solo:

A Ron Carter

B Walter Page

C James P Johnson

D Jimmy Blanton

Question #39

One of Duke Ellington’s most popular soloists, perhaps, was trumpeter __________.

A Cootie Williams

B Miles Davis

C Ray Nance

D Bubber Miley

Question #40

TRUE OR FALSE? By the early 1930s Duke Ellington had attained a level of celebrity that somewhat insulated him from prevailing racial stereotypes as evidenced by his first film appearance in “Check and Double Check.”

A FALSE

B True

Question #41

This bass player from the All American Rhythm Section hired Count Basie’s during his early Kansas City days:

A Walter Page

B Jimmy Blanton

C Jimmy Scott

D Ira Coleman

Question #42

Count Basie made his national reputation as the result of radio broadcasts from which of the following 52nd Street New York nightclubs?

A Studio 54

B Famous Door

C Cotton Club

D Grand Terrace Ballroom

Question #43

Which of the following was NOT a typical feature of Kansas City style?

A riff-based compositions

B emphasized improvising soloists

C blues-based compositions

D use of complex written arrangements

Question #44

The arranging practice of pitting one band section against another in alternating patterns is called

A multi tracking

B mixed voicing

C Antiphonal

D switch-hitting

Question #45

This individual is often regarded as one of greatest and most prolific American composers of jazz:

A Jimmie Lunceford

B Fletcher Henderson

C George Gershwin

D Edward Kennedy (Duke) Ellington

Question #46

Territory bands were jazz or dance bands that:

A Played a limited number of songs types

B Played for mixed-race audiences

C Played in a limited geographic region

D Played in Mid-town Manhattan hotels

Question #47

A Palladium

B The Funky Butt Club

C The Club Alabam

D Savoy Ballroom

Question #48

A the Lindy Hop

B the Charleston

C the Bump

D the jerk

Question #49

What were the three Ps of the Jimmy Lunceford band:

A Presentation, Precision, Polish

B Practice, Practice, Practice

C Pot, Practice, Petulance

D Purpose, Profundity, Perspicacity

Question #50

Who was John Hammond?

A a prominent disc jockey in New York City

B one of the first white big bandleaders to adopt swing

C a wealthy jazz patron who commissioned several major jazz compositions

D an influential critic, band manager, record producer, and talent scout

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