Test 2

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Question #1

The ___________________________ was rejuvenated after a wildly successful concert and album that took place at Newport, Rhode Island, in 1956.

A Jimmy Lunceford Band

B Duke Ellington Band

C Benny Goodman Band

D Count Basie Band

Question #2

The Big Band Era is synonymous with The Swing Era

A FALSE

B True

Question #3

Lester Young was well known for bestowing nicknames to his fellow musicians. Billie Holiday gave him this famous nickname:

A Gates (as in swings like a gate)

B Prez

C Gov

D Chief

Question #4

“Jack the Bear” was a composition and arrangement written by Duke Ellington to feature the extraordinary bass technique of:

A Dave Holland

B Jimmy Blanton

C Walter Page

D Ron Carter

Question #5

Kansas City was the home base for many territory bands. Territory bands:

A Toured in a limited geographic area

B played only in large theaters

C marked their “territory” by street brawls

D Never traveled at all

Question #6

Kansas City Swing emphasized the use of up tempo blues, extended solos, syncopated call and response, and

A Slow ballads

B Collective Improvisation

C Complex written arrangements

D Head Arrangements

Question #7

Ella Fitzgerald set the standard for singers around world with her mastery of the art of:

A front phrasing

B back phrasing

C rhythmic displacement

D Scat Singing

Question #8

Freddie Green played guitar in the Count Basie’s Band in a rhythm section that was called:

A The Red, White, and Blues

B The Band

C The Swing Kings

D The All American Rhythm Section

Question #9

One of the most popular songs of the Swing Era was performed by the Benny Goodman Orchestra.

A Jitterbuggin

B Dance, Dance, Dance

C Sing, Sing, Sing

D In the Mood

Question #10

The Reno Club, a venue that often featured Count Basie and his Barons of Rhythm, was a popular night spot in:

A Kansas City, Mo.

B Newark

C New York

D Chicago

Question #11

This regal big band moved to New York in March, 1937, shed their royal title, and frequently played at a 52nd Street basement club called the Famous Door:

A Count Basie and his Barons of Rhythm

B Duke Ellington and the Washingtonians

C The King Pleasure Band

D The Rhythm Kings

Question #12

Most observers would describe the tone color of Coleman Hawkins’ tenor saxophone as:

A Impossible to describe

B very similar to Lester Young’s

C darker than Lester Young’s

D lighter than Lester Young’s

Question #13

The famous nick name given to Billie Holiday by her close friend Lester Young was:

A Little Miss Sassy

B The Voice

C Lady Day

D Sister Girl

Question #14

Coleman Hawkins’ main rival for tenor saxophone supremacy in the 1930’s was:

A Harry “Sweets” Edison

B Ben Webster

C Lester Young

D Buddy DeFranco

Question #15

In the 1930’s, Kansas City’s defiance of the 1920 federal “Prohibition” on alcohol, in addition to the laws against prostitution and gambling, created an “open” city which attracted musicians from all over the mid and south west.

A FALSE

B True

Question #16

The Savoy Ballroom was an especially important location for dancing located in:

A The Harlem neighborhood of Manhattan, NY

B Cleveland, OH

C Chicago, Ill

D Brooklyn, NY

Question #17

A “head arrangement” is

A A complex arrangement requiring many hours of preparation and rehearsal.

B An arrangement which allows band members to alternate bathroom breaks.

C An informal arrangement often worked out collectively in rehearsal or even during performance.

D None of the Above

Question #18

Louis Armstrong’s piano playing recording partner in the late 20’s went on to lead a popular big band in the 30’s that launched the careers of Billy Eckstine and Sarah Vaughan and others. His name was:

A William (Count) Basie

B Edward Kennedy (Duke) Ellington

C Teddy Wilson

D Earl (Fatha) Hines

Question #19

Freddie Green, a member of the All American Rhythm Section, played electric guitar without amplification or solo opportunities in the:

A Count Basie Band

B Duke Ellington Band

C Casa Loma Band

D Fletcher Henderson Band

Question #20

Harry Carney supplied the foundation for the Ellington ensemble sound with his masterful playing of the:

A Bass

B Baritone Saxophone

C Tuba

D Bass Trombone

Question #21

Lionel Hampton was a drummer for Louis Armstrong’s band in the 30’s but he became world famous as a performer on which instrument?

A drums

B piano

C vibraphone

D saxophone

Question #22

The jazz rhythm section consists of piano, guitar, ________, and ________

A drums and saxophone

B drums and bass

C drums and tuba

D drums

Question #23

In 1935, Benny Goodman took the bold step of bringing a black musician into his previously all white small group when he hired pianist______________

A Teddy Wilson

B Wilson Pickett

C Edward Kennedy (Duke) Ellington

D Fats Waller

Question #24

Coleman Hawkins’ most famous recording was of the song:

A Embraceable You

B Body and Soul

C All the Things You Are

D Darn That Dream

Question #25

The two most prominent alto saxophone players of the swing period were Johnny Hodges and _____________

A Lester Young

B Benny Carter

C Roy Eldridge

D Coleman Hawkins

Question #26

Benny Goodman, Artie Shaw, and Woody Herman were primarily known as:

A Clarinetists

B Clarinetists and bandleaders

C Trombonists

D Trumpet players

Question #27

Black, Brown, and Beige, an extended “Suite” that premiered at Carnegie Hall in 1943, was a tone parallel (Program Music) to the history of African Americans was written by:

A George Gershwin

B Count Basie

C Scott Joplin

D Edward Kennedy (Duke) Ellington

Question #28

This 1938 recording made Ella Fitzgerald a national celebrity and fulfilled Chick Webb’s dream of attaining name band status:

A ”A-Tisket, A-Tasket”

B “Object of My Affection”

C “Thriller”

D “A Fine Romance”

Question #29

Which of the following does NOT apply to the singing style of Billie Holiday?

A Virtuoso scatting abilities

B Conversational style

C Acute rhythmic and tonal finesse

D Emotional/psychological depth

Question #30

This swing era singer was discovered at a talent contest at Harlem’s Apollo Theater:

A Ella Fitzgerald

B Anita Baker

C Billie Holiday

Question #31

In 1933 John Hammond discovered this unique 18 year old singer from Baltimore, Maryland at Monette’s Supper Club in Harlem:

A Ida Cox

B Anita O’Day

C Ella Fitzgerald

D Billie Holiday

Question #32

How was Lester Young received in Fletcher Henderson’s band when he arrived to replace Coleman Hawkins in the mid-1930s?

A He was asked to switch to his first instrument, the drum set

B He was immediately asked to lead the saxophone section

C He was coached on Hawkin’s style and sound in the hopes that he would adopt it

D He was celebrated as a fresh new sound

Question #33

Which of the following applies to Coleman Hawkins’s 1939 recording of “Body and Soul”?

A It features a double time trombone solo at the beginning

B The tenor saxophone builds in range and dynamics to a climax

C It’s an outstanding example of big band jazz

D It established Hawkins as a top clarinetist

Question #34

The center for developments in small-group jazz during the Swing Era was _________ in New York.

A Greenwich Village

B 52nd Street (Swing Street)

C Brownsville, Brooklyn

D Hell’s Kitchen

Question #35

White swing took root when white jazz players such as Benny Goodman from the __________ area began fillings spots in ___________ big bands.

A Los Angeles/New York

B Chicago/New York

C St.Louis/Kansas City

D New Orleans/Chicago

Question #36

Which of the following best describes The International Sweethearts of Rhythm?

A a Fisk University glee club

B a tap dancing collective

C a children’s choir

D An excellect all female band

Question #37

The pianist and arranger who became Duke Ellington’s writing partner and principal collaborator was:

A Billy Childs

B Bill Bailey

C Count Basie

D Billy Strayhorn

Question #38

This Ellington sideman came to be known as the father of the jazz bass solo:

A Jimmy Blanton

B James P Johnson

C Ron Carter

D Walter Page

Question #39

One of Duke Ellington’s most popular soloists, perhaps, was trumpeter __________.

A Cootie Williams

B Ray Nance

C Bubber Miley

D Miles Davis

Question #40

TRUE OR FALSE? By the early 1930s Duke Ellington had attained a level of celebrity that somewhat insulated him from prevailing racial stereotypes as evidenced by his first film appearance in “Check and Double Check.”

A True

B FALSE

Question #41

This bass player from the All American Rhythm Section hired Count Basie’s during his early Kansas City days:

A Jimmy Blanton

B Jimmy Scott

C Ira Coleman

D Walter Page

Question #42

Count Basie made his national reputation as the result of radio broadcasts from which of the following 52nd Street New York nightclubs?

A Cotton Club

B Famous Door

C Grand Terrace Ballroom

D Studio 54

Question #43

Which of the following was NOT a typical feature of Kansas City style?

A use of complex written arrangements

B riff-based compositions

C emphasized improvising soloists

D blues-based compositions

Question #44

The arranging practice of pitting one band section against another in alternating patterns is called

A switch-hitting

B mixed voicing

C Antiphonal

D multi tracking

Question #45

This individual is often regarded as one of greatest and most prolific American composers of jazz:

A Edward Kennedy (Duke) Ellington

B George Gershwin

C Jimmie Lunceford

D Fletcher Henderson

Question #46

Territory bands were jazz or dance bands that:

A Played in a limited geographic region

B Played for mixed-race audiences

C Played in Mid-town Manhattan hotels

D Played a limited number of songs types

Question #47

A Savoy Ballroom

B The Funky Butt Club

C Palladium

D The Club Alabam

Question #48

A the jerk

B the Charleston

C the Lindy Hop

D the Bump

Question #49

What were the three Ps of the Jimmy Lunceford band:

A Purpose, Profundity, Perspicacity

B Practice, Practice, Practice

C Presentation, Precision, Polish

D Pot, Practice, Petulance

Question #50

Who was John Hammond?

A an influential critic, band manager, record producer, and talent scout

B one of the first white big bandleaders to adopt swing

C a wealthy jazz patron who commissioned several major jazz compositions

D a prominent disc jockey in New York City

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