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Quiz 61

Navigation   » List of Schools  »  Glendale Community College  »  Music  »  Music 120 – Music Appreciation  »  Fall 2019  »  Quiz 61

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Below are the questions for the exam with the choices of answers:

Question #1
Which does not describe early-twentieth century nationalist composers?
A  They approached music with a scientific spirit.
B  They were unable to preserve folk melodies without modern recording technologies.
C  They took recording equipment into the field to preserve songs.
D  Composers were interested in preserving folk songs exactly.
Question #2
Which composer’s music does Bartók quote in the fourth movement of Concerto for Orchestra?
A  Sergei Prokofiev
B  Igor Stravinsky
C  Dmitri Shostakovich
D  George Frederic Handel
Question #3
Twentieth-century nationalism
A  strove to parallel nationalist movements of earlier generations.
B  borrowed freely from distant cultures.
C  differed from nineteenth-century nationalism in that they were interested in notating folk music precisely.
D  was a direct continuation of nineteenth-century practices.
Question #4
The study of non-Western and traditional music within its unique cultural context is called
A  sociology.
B  musicology.
C  ethnomusicology.
D  anthropology.
Question #5
The “interruption” in Bartók’s Interrupted Intermezzo is a musical portrayal of the 1942 Nazi invasion of Russia.
A  TRUE
B  FALSE
Question #6
Neo-Classical composers:
A  strove for purity of line and proportion.
B  All possible answers.
C  turned away from nineteenth-century models.
D  focused on craftsmanship and balance.
Question #7
Neo-Classical composers emulated the music of
A  Beethoven and Wagner.
B  Bach, Beethoven, and Brahms.
C  Bach, Handel, and Vivaldi.
D  composers of the Second Viennese School.
Question #8
Neo-Classical composers did NOT
A  retain traditional genres.
B  revive early eighteenth-century forms.
C  value form above expression.
D  attempt to bring music closer to poetry and painting.
Question #9
Neo-Classical composers
A  preferred absolute to program music.
B  wrote neither program nor absolute music.
C  preferred program to absolute music.
D  focused equally on program and absolute music.
Question #10
Which statement does NOT reflect early-twentieth century nationalism in music?
A  The modern English school is represented by Benjamin Britten.
B  Romantic national schools continued into the twentieth century.
C  Early-twentieth century composers were not interested in nationalist expressions.
D  The modern Russian school is represented by Prokofiev and Shostakovich.
Question #11
In his music, Bartók
A  created an entirely personal language.
B  evoked the folk traditions of his homeland.
C  embraced the clarity of neo-Classicism.
D  All possible answers.
Question #12
How is the “interruption” in Bartók’s Interrupted Intermezzo depicted musically?
A  harsh clarinet melody
B  All possible answers.
C  a broad theme heard in the strings
D  a plaintive tune in the oboe and flute
Question #13
Bartók wrote Concerto for Orchestra
A  as the result of a commission from the Hungarian government.
B  after emigrating to the U.S., two years before he died.
C  while doing field work with his fellow composer, Kodály.
D  during his student years at the Royal Academy in Budapest.
Question #14
Bartók’s goal was to collect and categorize the music of the Swedish people.
A  TRUE
B  FALSE
Question #15
Bartók’s Concerto for Orchestra is a declaration of the composer’s love for his homeland.
A  FALSE
B  TRUE
Question #16
Bartók’s Concerto for Orchestra
A  follows the traditional three-movement structure of a concerto.
B  is an uncharacteristic, one-movement work.
C  is a five-movement work.
Question #17
Bartók was a virtuoso _____ and was a master of composition for that instrument.
A  pianist
B  percussionist
C  violinist
D  cellist
Question #18
Bartók and fellow composer Zoltán Kodály are known for
A  collecting the folk music of Catalunya.
B  instituting a doctoral program in ethnomusicology.
C  collecting the folk music of Hungary.
D  establishing the Hungarian Philharmonic Orchestra.
Question #19
Bartók and Kodály collected 2,000 songs and dances representing various _____ cultures.
A  Middle Eastern
B  Asian
C  Eastern European
D  Western European
Question #20
Béla Bartók and Zoltán Kodály are two major representatives of ______ nationalism.
A  Finnish
B  Czech
C  Hungarian
D  German
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