Mid-Term, Part Two

A  The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

B  Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

C  French term meaning “advance guard” In general, t refers to innovative art

D  The ability to “read” the language of visual images

E  Literally, the seat of the bishop: the bishop’s primary or “home” church

A  Literally, the seat of the bishop: the bishop’s primary or “home” church

B  Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

C  The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

D  French term meaning “advance guard” In general, t refers to innovative art

E  The ability to “read” the language of visual images

A  French term meaning “advance guard” In general, t refers to innovative art

B  The ability to “read” the language of visual images

C  The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

D  Literally, the seat of the bishop: the bishop’s primary or “home” church

E  Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

A  The ability to “read” the language of visual images

B  Literally, the seat of the bishop: the bishop’s primary or “home” church

C  The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

D  Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

E  French term meaning “advance guard” In general, t refers to innovative art

A  The ability to “read” the language of visual images

B  The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.

C  Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced

D  Literally, the seat of the bishop: the bishop’s primary or “home” church

E  French term meaning “advance guard” In general, t refers to innovative art

A  Jacques Louis David

B  Gianlorenzo Bernini

C  Louis XIV

D  Caravaggio

A  How text and images of the Near East stereotyped their culture for Europeans.

B  How popular culture is a system of education.

C  How seeing is affected by what we know or what we believe.

A  bell hooks

B  Marshall McLuhan

C  Edward Said

A  Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using

B  Aztec Earth Goddess, “She of the Serpent Skirts”.

C  Stepped pyramidal platform for a temple, in Ancient Sumer.

D  A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

E  Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

A  Stepped pyramidal platform for a temple, in Ancient Sumer.

B  Aztec Earth Goddess, “She of the Serpent Skirts”.

C  A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

D  Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines & a vanishing point.

E  Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

A  Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

B  Aztec Earth Goddess, “She of the Serpent Skirts”.

C  Stepped pyramidal platform for a temple, in Ancient Sumer.

D  A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

E  Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines & a vanishing point.

A  Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

B  Stepped pyramidal platform for a temple, in Ancient Sumer.

C  A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.

D  Aztec Earth Goddess, “She of the Serpent Skirts”.

E  Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines & a vanishing point.

A  Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.

B  Stepped pyramidal platform for a temple, in Ancient Sumer.

C  Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines& a vanishing point.

D  Aztec Earth Goddess, “She of the Serpent Skirts”.

E  A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.