Navigation » List of Schools » California State University, Northridge » Art » Art 305 – Art and Mass Culture » Fall 2022 » Mid-Term, Part Two
Below are the questions for the exam with the choices of answers:
Question #1
A Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced
B Literally, the seat of the bishop: the bishop’s primary or “home” church
C The ability to “read” the language of visual images
D The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.
E French term meaning “advance guard” In general, t refers to innovative art
Question #2
A Literally, the seat of the bishop: the bishop’s primary or “home” church
B The ability to “read” the language of visual images
C The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.
D Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced
E French term meaning “advance guard” In general, t refers to innovative art
Question #3
A Literally, the seat of the bishop: the bishop’s primary or “home” church
B The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.
C French term meaning “advance guard” In general, t refers to innovative art
D Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced
E The ability to “read” the language of visual images
Question #4
A Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced
B Literally, the seat of the bishop: the bishop’s primary or “home” church
C The ability to “read” the language of visual images
D The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.
E French term meaning “advance guard” In general, t refers to innovative art
Question #5
A French term meaning “advance guard” In general, t refers to innovative art
B The period from the mid-18th to late 17th centuries during which the Catholic Church responded to the Protestant Revolution with a vigorous social & artistic campaign.
C The ability to “read” the language of visual images
D Literally, the seat of the bishop: the bishop’s primary or “home” church
E Literally, “dark room,” a lightproof box with a lens for projecting an image of an object or scene onto a surface from which the image can be viewed or traced
Question #6
A Louis XIV
B Caravaggio
C Gianlorenzo Bernini
D Jacques Louis David
Question #7
A How text and images of the Near East stereotyped their culture for Europeans.
B How seeing is affected by what we know or what we believe.
C How popular culture is a system of education.
Question #8
A bell hooks
B Edward Said
C Marshall McLuhan
Question #9
A A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.
B Stepped pyramidal platform for a temple, in Ancient Sumer.
C Aztec Earth Goddess, “She of the Serpent Skirts”.
D Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.
E Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using
Question #10
A Stepped pyramidal platform for a temple, in Ancient Sumer.
B A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.
C Aztec Earth Goddess, “She of the Serpent Skirts”.
D Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.
E Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines & a vanishing point.
Question #11
A Stepped pyramidal platform for a temple, in Ancient Sumer.
B A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.
C Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.
D Aztec Earth Goddess, “She of the Serpent Skirts”.
E Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines & a vanishing point.
Question #12
A A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.
B Stepped pyramidal platform for a temple, in Ancient Sumer.
C Aztec Earth Goddess, “She of the Serpent Skirts”.
D Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines & a vanishing point.
E Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.
Question #13
A A form of fine arts printmaking in which the image is carved into a block of wood, inked, then printed multiple times on paper.
B Aztec Earth Goddess, “She of the Serpent Skirts”.
C Stepped pyramidal platform for a temple, in Ancient Sumer.
D Scientific, mathematical formula for creating the illusion of three-dimensional spatial recession on a two-dimensional surface using receding parallel lines& a vanishing point.
E Historic linking of two concepts. One is valued over the other, both are viewed as absolutes & they are seen in conflict.