Navigation » List of Schools » California State University, Northridge » Music » Music 105 – Understanding Music » Spring 2022 » Quiz 4 The Classical Period
Below are the questions for the exam with the choices of answers:
Question #1
A a visiting guest composer.
B an equal by his employer.
C a skilled servant.
D a freelance musician.
Question #2
A Kadar.
B Esterházy.
C Stefanházy.
D Liszt.
Question #3
A three pianos.
B piano and two violins.
C violin, cello, and piano.
D violin, piano, and continuo.
Question #4
A two violins, viola, and cello.
B violin, guitar, viola, and cello.
C violin, viola, cello, and bass.
D All answers are correct.
Question #5
A is the most important form in classical chamber music.
B usually consists of four movements.
C All answers are correct.
D is written for two violins, viola, and cello.
Question #6
A does not have a development section.
B is usually a long cadenza.
C has two expositions.
D is in the same form as a classical symphony.
Question #7
A vocal soloist and orchestra.
B symphonic orchestra.
C instrumental soloist and orchestra.
D instrumental soloist and piano.
Question #8
A is most often in sonata or sonata-rondo form.
B is usually fast, lively, and brilliant, but somewhat lighter in mood than the opening movement.
C All answers are correct.
D is always in the tonic key of the symphony.
Question #9
A is usually in theme and variations form.
B All answers are correct.
C tends to be more heroic and triumphant in character.
D is generally not in the tonic key.
Question #10
A ABA
B minuet
C sonata
D rondo
Question #11
A seldom ends the movement.
B is usually in the tonic key.
C is usually slow and dignified.
D returns only once in the movement.
Question #12
A combines rondo form with elements of sonata form.
B may be outlined as ABA-development section-ABA.
C All answers are correct.
D usually has a lively, pleasing, and simple to remember theme.
Question #13
A look at the conductor.
B play extremely quietly.
C return to the beginning of the piece and repeat the music.
D play the written part an octave higher.
Question #14
A scherzo
B presto
C ritornello
D fugato
Question #15
A heavy and ponderous.
B quiet and relaxed.
C stately and dignified.
D brisk and lively.
Question #16
A AA’A”A”’A””
B ABACABA
C ABA
D AABB
Question #17
A is usually in a new key.
B is usually in the same key.
C presents a new melodic idea.
D retains some elements of the theme.
Question #18
A rides.
B motives.
C codas.
D melodies.
Question #19
A changing the meter of the second theme.
B the introduction of a new theme in the bridge.
C the conflict of tonalities between the first and second themes.
D retaining the same tonality for both themes.
Question #20
A theme.
B motive.
C coda.
D bridge.
Question #21
A a new theme is presented in the bridge.
B the closing section is in the tonic key.
C the second theme is in a new key.
D there is no second theme.
Question #22
A a new meter enters with the second theme.
B the second theme is in a new key.
C the closing theme is in the tonic key.
D a new theme is always presented in the bridge.
Question #23
A motives.
B transition.
C introduction.
D recapitulation.
Question #24
A Development
B Rondo
C Recapitulation
D Exposition
Question #25
A first
B final fast
C slow
D All answers are correct.
Question #26
A writing comic operas that sometimes ridiculed the aristocracy.
B flavoring their serious compositions with folk and popular music.
C writing dance music for public balls.
D All answers are correct.
Question #27
A was the seat of the Holy Roman Empire.
B had a population of almost 250,000.
C was the fourth-largest city in Europe.
D All answers are correct.
Question #28
A an equal by his employer.
B a visiting guest composer.
C a skilled servant.
D a freelance musician.
Question #29
A as a church musician and organist.
B as a professional free-lance musician.
C as an independently wealthy composer.
D serving a wealthy aristocratic family.
Question #30
A music.
B All answers are correct.
C theater.
D literature.
Question #31
A heroic and mythological plots.
B All answers are correct.
C folk and popular music.
D elaborately ornamented improvisational melodies.
Question #32
A military-industrial complex.
B colonial powers.
C church.
D military.
Question #33
A an important factor in the rise of the middle class.
B a limited sociological factor.
C ruthlessly stamped out by the aristocracy.
D promoted and encouraged by the church.
Question #34
A short-long-short
B short-short-long
C short-short-short-long
D long-long-short
Question #35
A work for solo instrument.
B sonata for orchestra.
C work for piano solo.
D work for chorus and orchestra.
Question #36
A Madame Butterfly.
B Fidelio.
C Don Giovanni.
D The Magic Flute.
Question #37
A the pioneer of light classical music.
B the bridge between the classical and romantic periods.
C the inventor of the symphony.
D the first musician to incorporate folk tunes into serious compositions.
Question #38
A Basso continuo
B Operatic form
C Monophony
D Fugal counterpoint
Question #39
A the Ninth Symphony.
B string quartets.
C Missa solemnis
D All answers are correct.
Question #40
A was a brilliant pianist.
B began to feel the first symptoms of deafness in his twenty-ninth year.
C was self-educated and had read widely, but was weak in elementary arithmetic.
D All answers are correct.
Question #41
A Trumpets
B Trombones
C Horns
D Timpani
Question #42
A Sir John Falstaff.
B the servant to Leporello.
C a despotic Italian nobleman.
D the legendary Spanish lover.
Question #43
A Orfeo
B Don Giovanni
C Cos” fan tutte
D The Marriage of Figaro
Question #44
A as an exercise for his composition teacher.
B to help his pupil Süssmayr.
C on commission from a stranger.
D for his own funeral.
Question #45
A Salzburg
B London
C Vienna
D Paris
Question #46
A received an excellent formal education in Salzburg.
B played in the archbishop’s orchestra in Salzburg.
C was continually on tour in England and Europe.
D went to Vienna to study with Haydn.
Question #47
A Bonn, Germany.
B Eisenach, Germany.
C Salzburg, Austria.
D Rohrau, Austria.
Question #48
A string quartets
B serenades
C operas
D baryton trios
Question #49
A woodwinds, trombones, drums, and strings.
B strings, woodwinds, horns, trumpets, and timpani.
C strings with harpsichord continuo.
D a loose ensemble of available instruments.
Question #50
A 1820-1900.
B 1600-1750.
C 1450-1600.
D 1750-1820.