Quiz 3 The Baroque Period

Navigation » List of Schools » California State University, Northridge » Music » Music 105 – Understanding Music » Spring 2022 » Quiz 3 The Baroque Period

Need help with your exam preparation?

Existing Quiz Clients Login here

Below are the questions for the exam with the choices of answers:

Try The Exam

Question #1

Baroque trio sonatas usually involve ____________ performers.

A two

B three

C four

D five

Question #2

The sonata originated in

A Germany.

B Italy.

C the Netherlands.

D France.

Question #3

In the myth of Orpheus, Orpheus goes to Hades in the hope of bringing ____________ back to life.

A Persephone

B Phyllis

C Oriana

D Eurydice

Question #4

To evoke angry or warlike feelings in some of his texts, Monteverdi introduced new orchestral effects, including pizzicato and

A tremolo.

B sul ponticello.

C col legno.

D double stops.

Question #5

A typical baroque operatic form was the da capo aria in ABA form in which the singer

A was expected to embellish the returning melody with ornamental tones.

B would improvise new words for the returning A section.

C would make a literal repetition of the opening A section after the B section.

D would insert recitatives between the sections for added variety.

Question #6

Castrati

A received the highest fees of any musicians.

B combined the lung power of a man with the vocal range of a woman.

C were male singers who had been castrated before puberty.

D All answers are correct.

Question #7

The stage machinery of baroque opera

A replaced set designs.

B was nonexistent.

C was very primitive.

D bordered on the colossal.

Question #8

The earliest opera that has been preserved is Jacopo Peri’s

A Arsace.

B Nerone.

C Orfeo.

D Euridice.

Question #9

Most early baroque operas were based on Greek mythology and

A lyric poetry.

B ancient history.

C contemporary exploration of the new world.

D contemporary political events.

Question #10

Members of the Camerata wanted to create a new vocal style based on the

A organum of the Middle Ages.

B glories of their aristocratic patrons.

C polyphonic madrigal.

D music of the ancient Greek tragedies.

Question #11

The two giants of baroque composition were George Frideric Handel and

A Galileo Galilei.

B Giovanni Gabrieli.

C Johann Sebastian Bach.

D Johann Christian Bach.

Question #12

The text, or book, of a musical dramatic work is called the

A score.

B form.

C libretto.

D story.

Question #13

____________ is a musical procedure in which a fugue subject is imitated before it is completed.

A Augmentation

B Retrograde

C Stretto

D Diminution

Question #14

Transitional sections of a fugue that offer either new material or fragments of the subject or countersubject are called

A preludes.

B answers.

C strettos.

D episodes.

Question #15

In many fugues, the subject in one voice is constantly accompanied in another voice by a different melodic idea called a(n)

A episode.

B answer.

C stretto.

D countersubject.

Question #16

Bach’s Brandenburg Concerto No. 5 is unusual in that

A the first movement is not in typical ritornello form.

B it gives a solo role to the harpsichord.

C it consists of four movements.

D it consists of a single movement.

Question #17

The solo instruments in Bach’s Brandenburg Concerto No. 5 are the ____________, violin, and harpsichord.

A flute

B cello

C oboe

D trumpet

Question #18

The large group of players in a concerto grosso is known as the

A tutti.

B soloists.

C orchestra.

D concertino.

Question #19

A concerto grosso most often has ____________ movement(s).

A one

B three

C two

D four

Question #20

In Italy, music schools were often connected with

A public schools.

B orphanages.

C courts of the nobility.

D universities.

Question #21

Frederick the Great, king of Prussia, was a

A All answers are correct.

B flutist.

C composer.

D general.

Question #22

A large court during the baroque period might employ about ____________ performers.

A 18

B 120

C 24

D 80

Question #23

A bass part together with numbers that specify the chords to be played above it is called

A figured bass.

B counterpoint.

C sequenced bass.

D basso profundo.

Question #24

Terraced dynamics refers to

A dynamics that are not written in the music but added by the performer.

B a gradual change from soft to loud.

C the sudden alternation from one dynamic level to another.

D a gradual change from loud to soft.

Question #25

Melodic sequence refers to

A a preferred method of tuning an instrument.

B the successive repetition of a musical idea at higher or lower pitches.

C a composition by Vivaldi.

D the pedagogical steps in learning to play an instrument.

Question #26

Baroque melodies often are

A elaborate and ornamental.

B easy to sing and remember.

C impossible to play.

D short and simple.

Question #27

The compelling drive and energy in baroque music are usually provided by

A the high dynamic level.

B complex harmonic progressions.

C a bawdy text.

D repeated rhythmic patterns.

Question #28

The baroque principle of ____________ may be temporarily suspended in vocal music when drastic changes of emotion in a text inspires corresponding changes in the music.

A All answers are correct.

B terraced dynamics

C unity of mood

D basso continuo

Question #29

Affections in baroque usage refers to

A the doctrine of universal brotherhood.

B the nobility’s manner of deportment.

C terraced dynamics.

D emotional states or moods of music.

Question #30

Modern historians use the term baroque to indicate

A a period of decline in the arts.

B a scientific movement popular in the seventeenth century.

C a particular style in the arts, involving action and movement.

D a class of musical instruments that no longer function.

Question #31

Where did Handel’s Messiah receive its premiere?

A Austria

B Ireland

C Venice

D London

Question #32

Handel’s Messiah is an example of

A an oratorio.

B an opera.

C musical theater.

D a song.

Question #33

George Frideric Handel was born in 1685, the same year as

A Arcangelo Corelli.

B Antonio Vivaldi.

C Claudio Monteverdi.

D Johann Sebastian Bach.

Question #34

Oratorio differs from opera in that it has no

A acting, scenery, or costumes.

B vocal soloists.

C choral part.

D orchestral accompaniment.

Question #35

A large-scale composition for chorus, vocal soloists, and orchestra, usually set to a narrative biblical text, is called a(n)

A chorale.

B recitative.

C oratorio.

D aria.

Question #36

In their use of aria, duet, and recitative, Bach’s cantatas closely resembled the ____________ of the time.

A concertos

B operas

C suites

D sonatas

Question #37

The various dances of the baroque suite are usually

A in ABA form.

B polyphonic in texture.

C in theme and variation form.

D in AABB form.

Question #38

In contrast to fugues, baroque suites tended to have ____________ because they were based on dance steps.

A melodies in minor keys

B balanced and symmetrical phrases

C choral singers

D foot stomps and hand claps

Question #39

Although all the movements of a baroque suite are in the same key, they differ in

A All answers are correct.

B national origin.

C meter.

D tempo.

Question #40

Monteverdi, an early baroque composer, strove to create music that was

A placid and smooth.

B difficult to perform.

C passionate and dramatic.

D extremely complex.

Question #41

Bach achieves unity of mood in his compositions by using

A homophonic texture.

B simple melodic ideas.

C an insistent rhythmic drive.

D musical symbolism.

Question #42

Bach created masterpieces in every baroque form except

A sonata.

B opera.

C fugue.

D concerto.

Question #43

A Vivaldi concerto usually has ____________ movements.

A three

B a variable number of

C four

D two

Question #44

Vivaldi spent most of his life working at an institution for orphaned and illegitimate girls in

A Florence.

B Venice.

C Rome.

D Cremona.

Question #45

The theorbo is a(n)

A keyboard instrument suitable for playing basso continuo parts.

B plucked string instrument capable of producing chords as well as a bass line.

C electronic instrument whose tone is generated by oscillators.

D bass woodwind instrument similar to the bassoon.

Question #46

A sonata to be played at court, and therefore dancelike in character, was called a

A tarantella.

B trio sonata.

C sonata da chiesa.

D sonata da camera.

Question #47

The early baroque was characterized by

A development of the standardized orchestra.

B homophonic texture.

C diffusion of the style into every corner of Europe.

D elaborate counterpoint.

Try The Exam

Fresh Grad Lands Job as Real Estate Agent With Help from Professional Writers

Quiz 3 The Baroque Period

Need help with your exam preparation?

Below are the questions for the exam with the choices of answers:

Christian S.

Tyra

Linda

Manush

We accept payment