Exam 1

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Question #1

An artist paints a scene with a large mountain, which lacks detail and is out of focus, and a tree, which is sharply defined and bright green. The viewer might assume that the mountain is ________ than the tree.

A smaller

B older

C further away

D much closer

E more important

Question #2

An artist can use color to indicate depth. When a color is very pure and intense then it seems to be ________.

A closer

B darker

C flatter

D further

E lighter

Question #3

If vertical lines communicate strength, horizontals calm, and diagonals action, then a vacation resort might want to choose a logo consisting of ________ lines in order to show peaceful repose.

A vertical

B chaotic

C diagonal

D horizontal

E scribbled

Question #4

This method of applying value to a two-dimensional artwork in order to create the illusion of a three-dimensional solid form is called ________.

A perspective

B film noir

C chiaroscuro

D palette

E value range

Question #5

The lightness or darkness of a surface is the element of art called ________.

A line

B shape

C color

D space

E value

Question #6

These four visual elements of art—form, volume, mass, and texture—are present in ________ works of art.

A large

B two-dimensional

C modern

D balanced

E three-dimensional

Question #7

A three-dimensional surface that is designed to be viewed from only one direction is known as a ________.

A volume

B relief

C texture

D form in the round

E mass

Question #8

The chiaroscuro method uses five defined values: cast shadow, reflected light, core shadow, light, and ________.

A film noir

B highlight

C palette

D scale

E plane

Question #9

A two-dimensional object is called a shape, and a three-dimensional object is known as a ________.

A relief

B cube

C building

D pyramid

E form

Question #10

A sculpture designed in the round can be viewed from ________.

A nearly every angle

B the interior

C above only

D the front and back only

E one direction

Question #11

In a two-dimensional work, when the figure becomes the background and the background becomes the figure, we perceive ________.

A an implied shape

B a figure–ground reversal

C a form

D an organic shape

E a geometric shape

Question #12

This is the system for creating an illusion of depth using three basic components: horizon line, vanishing point, and convergence lines.

A atmospheric perspective

B chiaroscuro

C highlight

D palette

E linear perspective

Question #13

When using a series of squares that are exactly the same shape, implied depth can be achieved by ________.

A overlapping

B alternating value

C all of the other answers

D relative size

E relative position

Question #14

This type of shape is composed of unpredictable, irregular lines.

A geometric

B implied

C organic

D actual

E measured

Question #15

Hatching and cross-hatching use two-dimensional lines to communicate ________ depth.

A actual

B unexpected

C textural

D colorful

E three-dimensional

Question #16

Forms such as pyramids, which tend to be precise and regular, are known as ________ forms.

A textured

B geometric

C implied

D actual

E organic

Question #17

When objects are far away they lack contrast, detail, and sharpness of focus because of the interference of air. Artists take advantage of this when they use the process called:

A isometric perspective

B cross-hatching

C highlight

D atmospheric perspective

E chiaroscuro

Question #18

Artists can create a sense of ________ by using light and dark values.

A tension

B depth

C height

D fear

E humor

Question #19

One-point perspective does convey depth, but it has limited applications due to its reliance on a single ________.

A vanishing point

B shape

C medium

D color

E volume

Question #20

A sculpture that can be viewed from more than one side and that occupies space in the same way as other real-life objects is called a ________ sculpture.

A freestanding

B high relief

C implied

D bas-relief

E heroic

Question #21

The process of using a series of parallel lines set close to one another to differentiate planes of value in a work of art is called ________.

A highlight

B palette

C core shadow

D hatching

E perspective

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